Perfected singing at the National Conservatory of Montpellier Region, in the class of Annie ZUR, having started in the class of Françoise Garner at the Conservatoire de Sète. Medalist unanimously at the National Conservatory of Montpellier in 1999, when she is received at CNSMD Lyon, where she also studies with Magali Damonte. Emilie has sung, among others, alongside the orchestra of the Avignon Opera, the ensemble "Baroques Graffiti", the Cévennes chamber orchestra and is part of the "René Linnenbank consort" quartet. It has been appreciated as much in melodies and lieder as in solo parts of sacred works and in operatic roles such as: "Hänsel" in Hänsel and Gretel de Humperdink, "Adèle" and "Rosalinde" in La J. Strauss's bat, Puccini's "Suor Angelica" in the title role, "Melia" in Apollo and Hyacinth, "Donna Elvira" in Don Giovanni, "Countess Almaviva" in The Marriage of Figaro, "Fiordiligi" in Cosi fan WAMozart's tutte, "Micaela" in Carmen and "Mireille" in the title role of G. Bizet. In addition to her concerts in the PACA region and Occitanie, she gave to the side of René Linnenbank, Patrick Garayt and Michel Chanard a concert for the benefit of the association "Heart and conscience for Africa" on August 27, 2017 at the collegiate Isle sur la Sorgue and participated on February 15, 2019 in the auditorium of Le Pontet concert "One night for 2500 votes" given to the benefit of research on pediatric cancers. In March 2019 she recorded a series of melodies of the composer Eric Breton alongside prestigious artists on poems by JF Cesarini.For more information on his upcoming concerts, you can follow his page on Facebook: Emilie Ménard-Linnenbank soprano

After studying piano at the Conservatory of Valencia, Patrick Garayt works his voice at the age of eighteen. Begins then a brilliant career which, carried out with intelligence and patience, will lead him to sing in all Europe and beyond, going as far as Ukraine, Russia title-title of Faust of the Damnation of Berlioz, in Paraguay, in Vilnius (Lithuania) for the role of Tamino of The Magic Flute of Mozart under the baton of G. Rinckevicius, in Shanghai and Wuxi (China) role of Nadir of Bizet Pearl Fishermen, Alfredo (Verdi's Traviata) ... etc., or in Saigon (Viet Nam) for the role of Don José de Carmen of Bizet. Performing in an exceptionally broad repertoire, Patrick Garayt is a tenor most appreciated for his musical qualities and for his voice that is both warm, agile, flexible and powerful. He gives proof that he can sing everything! With more than one thousand eight hundred concerts to his credit, and 50 CD and DVD recordings, he performs the Baroque repertoire (Monteverdi, Rameau Dardanus, JS Bach, Purcell King Arthur, Handel) as well as the great romantic roles (Cavaradossi (Tosca) of Puccini, Radamès (Aida) of Verdi, Samson of ST Saens, Turridu (Cavaleria rusticana) of Mascagni, Paillasse of R. Leoncavallo, Abbe Cauchon (Jeanne au Bucher) H Honegger) Patrick Garayt occurs regularly in recital in prestigious venues: Vitoria Hall Geneva, Grange Lake Evian, opera Vichy, Tours, Vienna and Salzburg in Austria, Shanghai and Wuxi ...

Born in Abcoude, the Netherlands. After his basic training he took comedy lessons before going into music at the Maastricht Conservatory and the Sweelinck Conservatorium Amsterdam (SCA). In 1990 he won the British Council Fellowship to follow the Postgraduate Opera Course. "At the Guildhall School of Music and Drama in London (GSMD) with David Pollard and he continued to perfect his technique with Sir Donald McIntyre.In addition to the roles he has performed at English National Opera, Opera North, Scottish Opera , Nantes Opera, La Monnaie (Brussels), Opera Zuid (Maastricht) etc., he has participated as a soloist in concerts, oratorios recitals in the Netherlands, United Kingdom, United States, Portugal, Germany, Belgium , France, Switzerland, Italy, Ireland, Spain, Bosnia-Herzegovine.He gave many recitals, including a solo recital in Covent Garden.A work that is particularly dear to his heart is the winter trip of F. Schubert, he the as interpreted with many pianists including a stage version with Eric Breton (pianist) and Franck Chardigny (graphic artist) Installed in Vaucluse since 2001 he regularly works with local choirs as a soloist, singing teacher, choirmaster and More and more as a vocal advisor. He regularly animates "the choir of Puyméras", "The choir of Vinsobres", "the voices of Groseau" of Malaucène, the brand new vocal ensemble "Laetitia in musica" dedicated to the music of JS Bach and since september 2017 the vocal ensemble "Robert Grimaud" at L'Isle sur la Sorgue. Occasionally, he directs projects such as the Vaucluse Vokaal vocal ensemble and his own vocal quartet "René Linnenbank Consort". He made collaborations with the charismatic Quebequois, François Provencher in 2014 for a great project on the melodies of Félix Leclerc and in August 2016 "the golden age of Francophone song" in the ancient theater of Vaison la Romaine.Regularly ( annual since 2010) he is invited as a specialist of vocal technique to animate a Gregorian chant course in Lodz (Poland) and since April 2017 in Sheffield (England). Among many students we find from beginners to experienced professionals working on various styles such as lyrical, baroque, jazz, popular singing Gregorian Chant and Middle Ages. He also conducts singing lessons in the beautiful place "Abbey of Valsaintes" in Simiane la Rotonde. In his work he seeks a balance between the singer, the teacher of singing and the choir master, all three professions benefiting from each other, to share his passion for the human voice.